Tag Archives: models

Birthday Wishes For One Of Fashion’s Best Talents

url

It is always a big deal when Trudi calls your agent to bring you in for polaroids. Things are probably going very well for you in terms of a modeling career when that phone call comes. This is the woman who advised Anna Wintour as the new faces editor at Vogue, which means Trudi knows better than your mom if you’ll make it in the business or not.  And, if you do have a chance, she’s the person that understands exactly what it will take to shape you into the next Giselle or Karolina Kurkova, who she managed during her time at DNA model management.

Trudi was one of the people in fashion that believed in my talent. She first introduced me to Anna and later represented me at DNA. What a relief if was to walk into my new agency and see Trudi sitting there. I knew I’d be in good hands with her on my side. I’m forever grateful for the guidance and support Trudi has given me over the years.

If you’re wondering if you’ve got what it takes or you want to hear more from Trudi herself, you’ve got a few options to connect with her.

Listen to internet radio with MattersofToday on Blog Talk Radio

Twitter: @Tapscout 

Trudi’s Website

HAPPY BIRTHDAY TO ONE OF FASHION’S BEST!

Leave a Comment

Filed under People We Love

Luigui Murnero Creates Powerful Faces For Vogue

url-1

 

Photo: Luigi Murenu

Luigi Murenu is a hair god. And one of the most humble talents in the business. Here is his latest for Vogue Korea.
843981_10200446342352047_2129203982_o

858191_10200446343952087_930463253_o 830521_10200446342752057_185300635_o 859864_10200446342152042_1268278236_o 856906_10200446344112091_2132685825_o 843802_10200446342472050_494893157_o 857001_10200446343712081_1022717664_o 860988_10200446343032064_406742719_o 858403_10200446342072040_691154609_o slide_227574_999395_free

Photos courtesy of Luigi Murenu

photo of Naomi Campbell because she is F.I.E.R.C.E.

1 Comment

Filed under Fashion, Inspirational, People We Love

Cathy Horyn Wraps Up NY Fashion Week For NY Times

Cathy Horyn for NY Times Style

Leave a Comment

Filed under Beauty, Fashion, Video

Becoming A Supermodel (Part 1)

Calvin Klein S/S 2013 Photo: Models.com

During my time modeling most of the models I came up with were obsessed with food and losing weight.  At first we all eyed each other and tried to figure out if they were having as hard a time keeping the weight down as we were.  When we finally made friends and started seeing each other season after season, it’s what we talked about, shared tips about and tried to come up with ideas to change the near impossible standards we were held to.  Most of the us were so young and so isolated within our problem that we didn’t realize our behavior and thinking were unhealthy. Our relationship with food  and ourselves was isolated and shamefully confusing.  We were supposed to love food but also we were supposed to find a way to conquer it and not have it affect our prepubescent bodies.  

Michael Kors S/S 2013 Photo: Models.com

That relationship with food is just the tip of the problem. Weight issues in modeling are merely the externalization of a much larger and more complicated problem. I won’t share any horror stories here.  I simply want to say that there was a problem when I was modeling and there is still a problem today.  It was a part of our job to fit the sample size and we were paid well to do it so we simply did our job.  It’s important to continue that discussion.  I’d like personalize the conversation a little deeper and shed an emotional light on what it takes to become a successful model.  Not only are models affected but everyone in the industry  and everyone who are exposed to the images that come from it.  The level of perfection required is debilitating. No one in fashion is advocating for people to be hurt so why is it so dangerous for a model to voice a need to change? 

Garren backstage at Anna Sui S/S 2013 Photo: Models.com

We set the standard for beauty.  We ask the models to represent our ideals. We must be responsible.  But it’s all so confusing.  At what point did someone like Anna Sui, Garren or Pat McGrath become responsible for the size of a model?  How come the same people who love and do everything in their power to protect and nurture models’ well being are becoming the same ones responsible for their pain? That seems unfair and it is. We all know it’s easy to change the sample size.  We know because it’s changed over time to smaller and smaller.  So if changing the sample size would fix the problem of today’s models, how come we’re not simply changing it?

I believe it’s because the problem isn’t the sample size.  The problem isn’t because magazines, agents, designers and photographers are being irresponsible.  There’s a devious dichotomy between the external creation of models and the internal experience of modeling in play and we need to root it out.  Otherwise, trust me.  We can change the sample size.  We can use older girls.  We can cut back on travel and pay models more money.  It’ll quickly turn into a game of whack-a-mole.

Anna Sui S/S 2013 Photo: Models.com

So, what’s the problem? Simply put: The current model for creating a Supermodel is broken. There is a solution and we will get there as an industry.  First we need to collectively admit that the current approach to creating beauty is unrealistic and unhealthy.  Only then can we be empowered to create new approaches and new conversations.  And we can!  It’s not a far jump from the unhealthy standards today to the healthy ones of tomorrow.

I’d like to list a few comments heard when I was modeling.

“why can’t they just photo shop my arms slimmer?”

“I can’t shave a half an inch off my hip bones”

“I wish I was traveling more.  The stress of traveling always takes off a few pounds”

“Don’t worry, once she starts traveling, she’ll lose that extra softness”

“who wants to get colonics after the shoot.  I need to get all this food out of my gut.” -overhead at a Gap campaign

“I’m fasting to clean out my system”

“I’m doing a new cleanse to clean out my system and relieve stress.”

“I’m not eating at the moment. I’m doing a juice fast for 10 days”

“This is my special tea I drink to help cleanse me from toxins while I’m on my fast.”

“I need a laxative. I’m all stopped up from traveling.”

“How many pills does your nutritionist make you take?  I have to take 40 a day just to make sure I get all the nutrients I need.  Annoying.”

“Why can’t they just book the girls they like and start ripping the clothes to fit them?”

“We should all join together and demand they make the clothing bigger.”

“They all talk about what it’s like for us as if they have any idea.”

“I would never let me daughter do this”

“But, how do I turn down that kind of money.  It’s irresponsible. My family needs financial help and I’ll get healthy once it’s finished.”

“Oh my god, you were told to lose weight too?”

“This [sample size] is a fucking joke. They can’t be serious.”

Calvin Klein S/S 3012 Photo: Models.com

The statements above come from 16-21 year olds trying to figure out what’s wrong with them and what’s wrong with the fashion industry. It’s difficult to grasp the whole picture when you’re in the middle of it.  So focusing on size is where most start because it’s the most obvious control factor. Children trying to change an adult industry is near impossible. Why? An adult brain is not fully formed until the age of 25.  At that age, most models are finished with their careers.  During the last formative years of a model’s brain development, they have taken on and integrated messages about themselves and about the world based on the industry they live/work in.  The messages they have taken on are not perhaps overtly abusive or destructive.  The industry is not a monster.  It is filled with creative, loving, beautiful and well intentioned and  highly intelligent people.  It’s not necessarily the people who abuse the models, it’s the current system of creation that’s the problem.

Let’s take a look at what happens:
1. A model is discovered, signed and tested
2. A photographer, stylist or designer loves her look and begins to use her for everything.  They don’t care what size she is.  They love her.

3. In order for the current supporters of this model’s career to continue supporting her, they need her to fit the clothing.  Otherwise, it creates a constant hurdle and no one wants to risk their career for one girl.

4. Everyone who has been working in the business understand this at an intuitive level and  the conversations begin.
5. The model is brought into her agents office for a private meeting.  A lot of apologizing for the business and explanations for how the sample size works ensue. Also, the model is typically told that she is not alone and a few big names are thrown into the mix of models who have had weight issues and overcome them.
6. The model is sent out the door with direction from her agents to lost an inch off her hips or whatever it is they need.  Typically she is given 30 days or “as long as she needs”
7. The model leaves the agency and has to make a choice.  Either do everything in her power to meet the standard or pack her bags and go home.  But she’s come so far.  She’s already beat the odds.  Not only is she signed, she is wanted by a couple of influential people in her industry.  The shame of being too big is squashed by the realization and empowerment that comes from a sense of control.  This model can express her gratitude to the people supporting AND prove they weren’t wrong in choosing to support her by losing weight.

At this point in a models career, from all outward appearances, not much has been asked of her.  Everyone around her has supported her freely up to this point.  Her agents, her family, her friends and now this influential force in the industry wants to see her rise.  They have all cast their votes for her to succeed and now she must deliver. And if Angela, Amber, Linda, Giselle, Missy etc. were able to deliver, why shouldn’t she? The feelings of shame for having almost ruined her chances have since been replaced by a moment of terror when she realizes that it’s her job to lose the weight otherwise her agent, her family, her friends, and this influential person(s), will be let down.  And typically a model will choose to become the hero.  Lose the weight.  Make the money.  Get the cover.  Make her family, agents, and supporters proud of her and validate their decision to support her rise to success. 

8. The model goes home and typically spends the rest of the day figuring out how to lose the weight.  It isn’t much.  If she’s got this far in the game, it’s typically only 5 or so pounds.  She’s young and has a high metabolism.  It shouldn’t be a problem.
9.  A few weeks later the model has been to the gym.  She’s cut back on her food.  She’s done her research online or in bookstores. And she’s dropped a few pounds.
10. She goes back to the agency to be polaroided.  Fear replaces the pride she had at doing her job and losing the weight. What it is isn’t enough? Did she wear the right outfit? Is it enough?

11. She is polaroided and congratulated.  She’s done a good job and can now continue to work.

And this completes the first cycle of one aspect of the dangers of modeling.  A model moving up the ladder quickly learns to identify and align herself with the people who support her and the control she’s able to exert over her physical self.  She must sacrifice herself to remain the hero to those who have already risked to see her succeed.  Never mind the risk for developing an eating disorder, the seeds for dangerous pathological connections in her psyche are taking root.  She is stepping into the world and her first experience of building successful adult and business relationships comes from her sacrificing and negating herself.  The problem goes much much deeper than the development of poor eating habits or an eating disorder.

As a model’s career progresses, this cycle continues. This is me at the beginning of one of my final cycles. My agents asked me to send them polaroids because they’d heard I’d gained weight. I was living in Los Angeles at this point and they were in New York. That’s the photo I sent them. I know, I don’t look very happy. I felt exposed and defensive because I knew from experience what was coming my way.  And indeed, it was decided that the level of my fatness was too high at this point for my agents to propose me for work.  I was asked to lose 10 pounds and an inch and a half off my hips.  Only then could they propose me for work. At this point I’d been in the industry for a few years.  I knew the game.  I didn’t want to internalize the shame anymore. I didn’t want to lose any more weight so instead of losing the weight I wrote a letter to Steven Meisel, Karl Templer, Nian Fish, and Peter Lindbergh.  I explained to them that I’d like to continue working and asked for their support.

They all pitched in. Two months later I booked The Gap campaign with Peter Lindbergh and Karl Templer. I booked an editorial on Italian Vogue with Steven Meisel and the following month I booked the cover of Italian Vogue. Nian Fish wrote me back and proposed me to every designer she was working with that season.

The jeans I’m wearing in that photo were a sample size (2/4) from 2 seasons previous.  At this point, the sample size has become smaller and the ability to meet it was beyond my physical capabilities.  I ended up have to take a step back.  It was sad for me at that time because I felt I still had so much potential.  But I also knew that it was a losing game and I was not genetically blessed enough to win this one.   Even with some of the heaviest influencers in the business supporting me, I knew that I would never be able to compete with the size requirements without hurting myself.

Thakoon S/S/2013 Photo: Models.com

Back to the newcomer model… It is left up to the model to fulfill the size requirements of the industry.  And it is a near impossible task especially when you’re young and have no support structure in place to help facilitate these goals.  Her weight may go up and down as she continues to develop.  Eventually she begins to notice tricks of the trade.  Smoking, fasting, supplements, laxatives, odd diets, hours spent at the gym, alcohol, pills and other forms of distraction from the powerless/powerful conflict shame based relationship with their bodies a model must constantly navigate.  Most of her energy goes into fighting a battle with weight and physical appearance while the real psychological issues haven’t even been made aware to her.  So, as she continues to exert herself along the lines of outward appearances she can control and begins to become the chameleon, mirroring and aligning herself with everyone around her in an effort to stay safe, the seeds of self destruction continue to root and that game of whack-a-mole begins to appear.  She’ll play it until she’s exhausted and then a new girl will step in and take over.  All the while, everyone senses a problem but no one really understands it.

This model will change.  She’ll become moody, passive agressive, overtly happy but dark, and depressed, overly energized and exhausted at the the same time.  Her weight will go up and down.  She’ll change her hair, her tan, her personality. And this is why you hear time and again.  Model’s are crazy.  They’re not crazy.  They’re isolated.  The pressures they are under are misunderstood by most.  The messages they receive are confusing and conflicting.  The shame they are asked to internalize and process is immense.  The women who have any success in modeling are to be commended because it is no easy task emotionally what is asked of them.

Thakoon S/S/2013 Photo: Models.com

They need support.  They need information.  They need to know that they are not alone.

Thakoon S/S/2013 Photo: Models.com

It looks glamorous because it is. The dangers are not necessarily the fault of anyone. No fingers need to be pointed. We simply need to start being aware of what it is we’re asking of these young women and girls.

Currently I’m working on a new system of information exchange.  The problems will not be solved overnight.  Here’s what I’m working on creating:

1. A working system of communication for models

2. An anonymous gathering place for professionals to discuss current practices and standards

3. A protected, anonymous, safe environment for models to communicate with professionals about what it is they’re experiencing.

4. A public, modifiable system for the creation of the Supermodel

It’s important to create these safe places of communication for a few reasons.

1. No one is at fault but we need everyone working together to create something new

2. Everyone on different sides of the business has a different and valid perspective that needs to be heard

3. We are just beginning to figure out a language for communicating about these problems.  We will stumble and we will be misunderstood.  This is why it is imperative that a safe and anonymous place be created for these conversations to happen at any time.

4. We need to begin experimenting with new systems for the creation of Supermodels.  I don’t need to expand on why we need them. I think everyone in the industry will agree, Supermodel’s rock and we’d like to see them back! I have a few suggestions for what a new system of creation would look like in todays world.  It’s not ready to be laid out in a blog post.

So… what can you do to help at this point to help?

1. Subscribe to SupermodelBlogger so I can email you when the change is ready to launch!

2. Share this post on Twitter, Facebook, email and where ever else you hang out online.

3. Contact me and let me know your thoughts

4. Comment and let us know your experiences
Most of the models in the following video will not be seen in a few years. Their modeling careers will be over. I’d say today is a good day to start the change.

Theyskens Theory: Behind the Scenes

6 Comments

Filed under Fashion, Inspirational

Feminist Models Bare all to Be Heard

Models aren’t known for having a voice.  We’re supposed to be silent images… stick images.  Sick sticks.  But we make a lot of money when most of our friends are still sitting in study hall.  So, it’s worth it.

The model above is angry about Continue reading

Leave a Comment

Filed under Fashion, Good Ol' Rant

The Weight Debate Has Gone Plus Sized

Plus sized models aren’t new to the industry.  They’ve been getting quite a lot of attention lately and I think it’s a healthy discussion to have on the heels of the low bottom BMI controversy.

We all know that models are thin.  What I find interesting is that most people don’t realize exactly how thin they are.  Sure, we see them in magazines and on tv and they look thin but not particularly unhealthy.

Today I took measurements… in a department store.  Here’s the results:

Normal Store Mannequin:

Bust/Waist/Hips: 31-25-35 1/2

Height: 6’2

Leg Circumference: 15″

Inseam: 38″

 

Chanel Mannequin:

Bust/Waist/Hips: 31/25/35

Height: 8′

Leg Circumference: 19″

Inseam: 38″

 

Me (I wear a size 2-8 in retail clothing)

Bust/Waist/Hips: 34/27/37

Height: 5’9

Leg Circumference: 22 1/2″

Inseam: 34″

 

Average American Woman: According to the CDC and SizeUSA

Bust/Waist/Hips: 41/34/43

Height: 5’2

Leg Circumference: Wasn’t able to find the data

Inseam: 30″

 

Supermodel Standard:

Bust/Waist/Hips: 34/24/34

Height: 5’11

Leg Circumference: 16

Inseam: 34+

 

 

What’s surprising is even these perfectly proportioned mannequins used to display clothing for women to buy are too fat to model.  They would have to lose 5-10 pounds or 1/2-1 1/2 inches in some places to be able to fit the clothing required of them to wear.

It seems ridiculous and abusive and yes, perhaps it is.  Or is it?

Plus Magazine recently did an editorial depicting plus sized models nakedly, proudly displaying their curves alongside traditional runway models.  Along with the images were messages about the change a model’s body has had to go through to compete.

-Twenty years ago the average fashion model weighed 8% less than the average woman. Today, she weighs 23% less.

- Ten years ago plus-size models averaged between size 12 and 18. Today the need for size diversity within the plus-size modeling industry continues to be questioned. The majority of plus-size models on agency boards are between a size 6 and 14, while the customers continue to express their dissatisfaction.

- Most runway models meet the Body Mass Index physical criteria for Anorexia.

- 50% of women wear a size 14 or larger, but most standard clothing outlets cater to sizes 14 or smaller.

It’s long been known and accepted that we’re a country obsessed with thinness.  The fantasy and the reality grows more and more disparate.  I wonder where the breaking point will be… is there a point at which women and models say enough?  Stop.   It’s no longer my job or responsibility to continue to walk this destructive path.

Maybe I’m wrong.  Maybe all the models I saw starving themselves were getting paid enough to make it ok.  I don’t think so.

3 Comments

Filed under Fashion, Good Ol' Rant

Michael Flutie: Model Maverick

Michael Flutie took the model and turned her into mogul.

He’s worked closely developing Jaime King, Beri Smither, Frankie Rayder and Rhea Durham; taking them from working models to media stars.

Flutie started working at modeling agencies shortly after graduating from NYU.  It didn’t take long before he was running his own agency, Company, and launching the careers of unexpected faces like Amy Wesson.  Michael sees potential and isn’t afraid to get dirty developing it.

Now with his new show Scouted, premiering Nov. 28 9/10 C on E!, Craig Palmer and I asked Flutie to share with us his insights into the modeling industry and the girls he represented. Continue reading

Leave a Comment

Filed under Fashion, Interviews

Having A Voice: A Model’s Worst Nightmare

They’re too thin.

Credit

 

 

They’re too young.
 
They’re too fat.
 
They’re too actressy.
 

They’re too changeling.
 
They’re too photoshopped.
 
They’re too exposed.
It’s time for the models to define who they are.  I can’t wait for the first girl that steps up and says “Suck it industry!  I’m a beautiful woman who knows how to work a camera and create an image and if you can’t handle this canvas, step off!” 

Continue reading

1 Comment

Filed under Fashion, Good Ol' Rant

Miu Miu: How Young is Too Young?


A blogger friend turned me onto this post


Youth sells. Cosmetic companies know this; Calvin Klein does too.  As fashion takes a departure from the ladylike looks of yester-seasons, Miu Miu presents us with children.    

What we’re looking at is the juxtaposition of purity, innocence and refinement held up against the contrasting standards of high fashion images and children who just don’t know any better.  

Last week a friend contacted me about his daughter who’s interested in modeling.  He and I had a few long discussions about her and what it would mean for her to start working that young in the business.  I’d met her and she’s beautiful and has the basic framework to make a great model.  The only problem; she’s 14.  Let me repeat that, she’s 14.  

He had some very insightful things to say about the modeling business and the dangers therein.  For someone who has never been much involved in fashion, I think he summed it up quite well. 

Continue reading

3 Comments

Filed under Fashion, Good Ol' Rant

Tick Tock Dior

Can you all please discuss what happened to Christian Dior this couture season?   Bill Gaytten surely was under a lot of pressure and I’d be the first to give him a second chance. Heck, I’d still give John and second and third based on his genius and generosity.  But I really don’t see how this collection represents Dior or really what it is.  Any insight?  


Oh, and stay tuned for our next giveaway!  It’s gonna be a doozy!  I’m working hard on bringing it together. 

Leave a Comment

Filed under Fashion, Good Ol' Rant